Willie Nelson born April 29, 1933 – “Time to Get On The Road Again”

Born on April 29, 1933, in a small town between Waco and Dallas, Nelson and his sister, Bobbie, took to music at a young age. Nelson joined his first band at 10 and was a songwriter by 12. We know this in part from a curious artifact in the Wittliff Collections at Texas State University. Nelson’s first songbook has all the doodles of a child’s arts and crafts project. The songs inside, though—“Hangover Blues,” “Faded Love and Wasted Dream,” “I Guess I Was Born to Be Blue”—speak to honky-tonk themes far beyond Nelson’s years.

He spent the next years chasing the life in those songs, hitting the road as an itinerant performer. Like most aspiring country artists, Nelson ended up in Nashville. In 1961, he joined Ray Price’s band, the Cherokee Cowboys. Price had been a roommate of Hank Williams Sr.’s, and the Cherokee Cowboys built on Williams’ legacy, at various times including not just Nelson but also his pals Johnny Bush, Johnny Paycheck and Roger Miller.

Nelson moved from success to success as a songwriter, with Price singing “Night Life,” Faron Young singing “Hello Walls” and Patsy Cline singing “Crazy.” He likely would have made it to the Country Music Hall of Fame with this early songwriting alone. He did record, but Nelson’s flamenco guitar, jazzy phrasing and eccentric lyricism did not fit the mold of 1960s Nashville. Facing personal and professional challenges that culminated in his house burning down, Nelson left Tennessee for Texas by decade’s end.

This was not Chet Atkins’ country music. The qualities that made this imperfect man a Nashville outsider transformed him into the most prominent symbol for a new cosmic cowboy style that was coming together in Austin venues like the Armadillo World Headquarters and events like Nelson’s own annual Fourth of July Picnic, which is scheduled for its 50th anniversary this July 4.

Willie Nelson’s classic band came into shape while gigging in Texas with sister Bobbie on piano, Mickey Raphael on harmonica, Bee Spears on bass, Jody Payne on guitar and Paul English on drums. They were a family band—in the country sense, like the Carter Family—but also in the hippie sense, a roving carnival akin to Ken Kesey’s Merry Pranksters. The group’s sound mixed traditional country with the improvisations of psychedelia and jazz. You can hear the crackling combination in live performances from the period, including the pilot episode of the long-running PBS television program “Austin City Limits.”

He reminds us that eccentricity is among the most traditional of country music’s verities. In a single concert, the joking wink to mortality of “Roll Me Up and Smoke Me When I Die” can share the set with a rousing gospel closer, Nelson singing “Will the Circle Be Unbroken?” or “I’ll Fly Away” as he points skyward, imploring the audience to join in on what he calls “the big finish.”

SOURCE: Country Music Hall Fame, Smithsonian Mag